Bio
Margaret Munro Tobolowska is a dynamic, versatile, and multi-
faceted artist. ‘A Cello for Chelsea’ is her first creative musical
story that incorporates her story, musical compositions, and
arrangements, into a delightful performance that sparks the
imagination of children and adults alike. 2006 marks the release
of 'Zara the Maggini' which is Margaret's second story composed
and written for children of all ages. Her connection to MASC and
her passion for performing and inspiring children has brought
new direction and great energy in her creative endeavours.
She radiates warmth and vitality and is able to infuse those
around her with her positive energy. She performs as a solo
recitalist, as well as being in demand for her skills as a first-class
chamber musician.
Born in Toronto, Margaret began playing the cello at the age of
twelve and was admitted to the University of Toronto to study with
Daniel Domb when she was sixteen. Margaret received her
Bachelor of Music in Performance in 1992 and continued, on full
scholarship at the prestigious Curtis Institute of Music in
Philadelphia where she studied with David Soyer. Following her
graduation from the Curtis Institute of Music in 1994 with an
Artist Diploma, she immediately won a position with the
Vancouver Symphony, and is presently a member of the National
Arts Centre Orchestra.
Margaret is a very proud founding member of The Leading Note
Foundation (2007), a member of its Board of Directors and the
OrKidstra Program's Artistic Director. She has worked with Tina
Fedeski and Gary MacMillen, in bringing musical opportunities to
children who would otherwise be unable to participate. The
OrKidstra Youth Music Program (an El Sistema inspired program)
is where you will find Margaret on Tuesdays and Thursdays at the
Bronson Centre, teaching her cello students, and
conducting/arranging music for the Junior and Senior Strings. In
a pinch, she conducts the full OrKidstra, and is completely
enchanted and inspired by the children.
In 2010, Margaret took on the role as Artistic Director of the
OrKidstra and has given her time and passion to developing youth
relevant programs that are innovative and inspirational for the
children participating. Margaret firmly believes in creating
programs that are not only about musical excellence, but about
excellence in teamwork, excellence in caring, and excellence of
the heart.
“The heart of our Foundation’s work here in Ottawa is to share
the passion of music with children, and in the process, create a
transformation, not only in the children, but in their families,
their community, and ultimately in a betterment of our collective
future society.“ Margaret Tobolowska
She has performed at many internationally prestigious Chamber
Festivals in North America and Europe, including: the Ravinia
Festival in Chicago, the Verbier Festival in Switzerland, the
Schleswig-Holstein Festival in Germany, Tivoli Gardens in
Copenhagen, Le Domaine Forget in Quebec, the Festival of the
Sound in Parry Sound, Ontario, the Ottawa International
Chamber Music Festival, the Lanaudiere Festival, and the McGill
Chamber Orchestra series.
Margaret is a true teacher at heart. Her belief that every student
has unlimited potential and dormant talents, that with the right
touch or encouragement, can blossom into greatness, is a
uniqueness among teachers. She is currently cello teacher with
the National Capital Suzuki School and has trained under Tanya
Carey and Catherine Walker.
In September 2011, Margaret resigned from the National Arts
Centre Orchestra to follow her dream of composing and producing
her own music! Zomashax Sound Labs is proud to be releasing
'Enchanten' June 2012. The genre Margaret is working in is
contemporary New Age, that combines amazing cello lines with
magical cool effects; creating a unique sound that can only be
described as: 'Enchanten'.
"Whether you think you can or you think you can't, you are right." Henry Ford
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Classical Encounters Recital
Barber Sonata for cello and
piano 1'st mvt
Stephane Lemelin-piano
www.Tobolowska.com
"Tobolowska's performance was passionate and lively, marked by a rich, full tone." The Ottawa Citizen
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